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美国国立卫生研究院乳腺癌辅助化疗-National Institutes of Health
Adjuvant chemotherapy of breast cancer--National Institutes of Health (美国, 1887-)
2.
美国国立卫生研究院乳腺癌辅助化疗 高清作品[100%]
图片文件尺寸 : 3204 x 2168px
美国国立卫生研究院乳腺癌辅助化疗-National Institutes of Health
Adjuvant chemotherapy for breast cancer--National Institutes of Health (美国, 1887-)
3.
多梅尼库斯·范·托尔的《母亲给孩子哺乳》 高清作品[99%]
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多梅尼库斯·范·托尔的《母亲给孩子哺乳》-Domenicus van Tol
A Mother giving her Child the Breast--Domenicus van Tol (荷兰, c.1635-1676)
4.
美国国家卫生研究院对人类乳腺癌的基因图谱 高清作品[97%]
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美国国家卫生研究院对人类乳腺癌的基因图谱-National Institutes of Health
The genetic mapping of human breast cancer--National Institutes of Health (美国, 1887-)
5.
Amedeo Modigliani的“Caryatide au Sein Pointu（尖胸Caryatid）” 高清作品[96%]
图片文件尺寸 : 2138 x 2776px
Amedeo Modigliani的“Caryatide au Sein Pointu（尖胸Caryatid）”-Amedeo Modigliani
Caryatide au Sein Pointu (Caryatid with Pointed Breast)--Amedeo Modigliani (意大利, 1884-1920)
下载Amedeo Modigliani的“Caryatide au Sein Pointu（尖胸Caryatid）”大图
6.
马克斯·克林格的《落日前胸前插箭受伤的鹤》 高清作品[95%]
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马克斯·克林格的《落日前胸前插箭受伤的鹤》-Max Klinger
Wounded Crane with an Arrow in its Breast Before Setting Sun--Max Klinger (德国, 1857-1920)
7.
古斯塔夫·克里姆特（Gustav Klimt）的《赤裸女孩站着，右手抵胸》 高清作品[94%]
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古斯塔夫·克里姆特（Gustav Klimt）的《赤裸女孩站立，右手抵胸》-Gustav Klimt
Naked Girl Standing, with Right Hand to Breast--Gustav Klimt (奥地利, 1862-1918)
8.
“安德烈亚斯·哈迪克·冯·富塔克伯爵（1710–1790）的肖像，胸前有乔治·威克特（Georg Weikert）的玛丽亚·特蕾莎军事勋章之星 高清作品[83%]
图片文件尺寸 : 2934 x 3760px
“安德烈亚斯·哈迪克·冯·富塔克伯爵（1710–1790）的肖像，胸前有乔治·威克特（Georg Weikert）的玛丽亚·特蕾莎军事勋章之星-Georg Weikert
Portrait of count Andreas Hadik von Futak (1710–1790) with the star of the Military Order of Maria Theresa on his breast--Georg Weikert (奥地利, 1743–1799)
下载“安德烈亚斯·哈迪克·冯·富塔克伯爵（1710–1790）的肖像，胸前有乔治·威克特（Georg Weikert）的玛丽亚·特蕾莎军事勋章之星大图
9.
“美国国立卫生研究院早期乳腺癌” 高清作品[73%]
图片文件尺寸 : 2106 x 2976px
“美国国立卫生研究院早期乳腺癌”-National Institutes of Health
早期乳腺癌--National Institutes of Health (美国, 1887-)
10.
Jií（Georg）Dokoupil，当代艺术I 高清作品[29%]
图片文件像素：5925 x 4626 px
Jií（Georg）Dokoupil，当代艺术I-
Jiří (Georg) Dokoupil * - Zeitgenössische Kunst I-
(born in Krnov 1954)
Mis Mus Sian, 2014, titled, several times signed Dokoupil on the overlap, soap-lye and pigments on canvas, 250 x 300 cm or 300 x 250 cm (the work can be hung vertical or horizontal), on stretcher
Provenance:
Studio of the artist
Kasmin Gallery, New York
Private collection, 德国y
Literature:
Kasmin Gallery, Jiří (Georg) Dokoupil, New paintings,
exhibition catalogue, New York 2015
Jiří Georg Dokoupil, Soap Bubble Paintings, Berlin 2015
Exhibited:
Kasmin Gallery, New York, Jiří (Georg) Dokoupil, New paintings,
8 January - 7 February 2015
Jiří (Georg) Dokoupil has been putting his art on canvases since the 1970s - and for much of that time without a brush. He constantly reinvents the production of artworks, expresses his creativity with the most diverse materials, such as breast milk or fruit juices, and thinks \"outside the box\". His oeuvre now comprises about 140 series, which are not at all alike. He is a quick-change artist in the contemporary art world. Like a pop culture star, he completely reinvents his art with each series.
The early flight from his homeland and the associated deprivation of a national, social and personal identity meant the artist never developed a fixed style of his own. (Compare Wilfried Dickhoff, Soap Bubble Thinking, p.5, in: Jiří (Georg) Dokoupil..
Soap Bubble Paintings, Berlin 2015)
The Soap Bubble Paintings series is one of his longest-running series. The work offered here, \"Mis Mus Sian\", is part of it.
Standing on a ladder with a metal hoop, Jiří (Georg) Dokoupil. lowers his soap bubbles onto the canvas. He uses soap suds mixed with shimmering pigments, the exact composition of which he keeps strictly secret. The individual layers of soap bubbles, their shimmering pigments and superimpositions create a sphere of their own. The result is a depth undreamed of in a two-dimensional work, which can only be properly experienced through viewing the work in person. The soap bubbles glitter dynamically on the deep blue background of the painting and evoke movement through their different shapes and orientations. Due to the enormous format of over 250 x 300 cm, the experience of the work is like visiting a giant aquarium. At first, one is overwhelmed by the work’s abundance and appearance and, as time goes by, one dives deeper and deeper into its cosmos. The artist leaves it up to the owner to hang the work in portrait or landscape format. For this reason, he has signed the reverse on two sides.
„It’s all about making something that is not doable“
Jiří (Gerog) Dokupil